Czech adaptation of the famous fairy tale, "Hansel and Gretel". The father yields to the persuasion of his second wife to get rid of the children, taking them into the forest, where they fall into the trap of the witch.

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Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.

An adaptation of a best-selling novel by Michal Viewegh is a comedy about friendship, fateful loves, beauty and ugliness, alcohol, and the search for human happiness. The plot revolves around three friends - Jeff, Skippy and Tom - whose ups and downs and relationship breakups keep bringing them back to a shared bachelor apartment. Their counterparts in the story are two women - the class beauty Eva, who becomes the object of desire of all three guys in turn, and the ugly Hujerova, whose ironic attitude to herself and life in general gives her the ability to survive in a world that prizes beauty and to find her own path to happiness. - Czech film center

In Toronto, best friends Jen and Mo decide to become roommates when Mo's parents move back to the Philippines and Jen takes the opportunity to live independent from her Chinese immigrant parents.

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.